My rating: 4 stars
Being the second book in the trilogy As Areias do Imperador (Sands of the Emperor), A Espada e a Azagaia continues to delve into similar topics to those put forward in Mulheres de Cinza (Woman of the Ashes in the English translation). It explores not only how characters dealt with one another within the constraints of colonialism, but also how they faced their own personal tribulations, desires and doubts. Overall, it paints a believable social and psychological portray of various inhabitants of Mozambique.
At the end of the first book (about which there will be spoilers ahead), Imani, a young African woman from the VaChopi tribe, fired a weapon at the Portuguese Sergeant Germano de Melo, hurting his hands, in order to save her brother Mwanatu. So, this novel, which is set in 1895, starts with Imani taking him to the only hospital in the Gaza region. With them were her father, her brother and the Italian Bianca Vanzini.
On their way to the hospital, they stopped at a church. The priest there, Rudolfo, had seen so much violence that he neither performed masses anymore nor believed that praying was useful. An African woman who lived there insisted on doing a ritual that according to her would turn Germano into a fish, so he could return to the sea. Throughout the book there are, in fact, various depictions of African rituals and superstition. Continue reading