My rating: 4 stars
Mia Couto’s writing style has an inventive quality to it, giving the eleven stories in the collection Cada Homem é uma Raça (Every Man is a Race in the translation into English) a curious sonority. Every story focuses on a particular person or group of people. Some of them have their lives changed either by individual actions or by the existing political and social realities.
The first story in the collection, ‘A Rosa Caramela’, is narrated by a young man from a village. He is not the main character, though. That is Rosa Caramela’s role. When she was younger, Rosa was left by a man whom she thought was going to marry her. Afterwards, she started behaving strangely and admiring a statue of a former coloniser. More than her inner feelings, the story is about how other people perceived her. The characteristic rhythm and sonority of the Portuguese from Mozambique immediately takes those reading it in the original on a journey there.
It’s not only the sound of the sentences that is distinctive, however. Mia Couto creates new words by turning everyday nouns and adjectives into verbs. This happens in almost all of the stories, but it is very pronounced and successful in ‘Rosalinda, a Nenhuma’, which is about how a woman dealt with the death of her unfaithful husband. In ‘O Ex-futuro Padre e sua Pré-viúva’, the author coined new words by mixing two together, which is slightly grating at times. This is the story of how a man who wanted to become a priest ends up marrying a woman, because she is believed to be pregnant. Continue reading